Nathalie op de Beeck

Courses, Fall 2008 Past Courses Research Home

 

ENG 375: Literature for Adolescents – Teen Reads and Social Commentary

Spring 2007 / 216 Stevenson Hall / Monday, 5:30–8:20 p.m.

Instructor: Dr. Nathalie op de Beeck

Office: 337 Stevenson Hall / x8-3297 / dbop@ilstu.edu

Office hours: MW 12:20-1:30 p.m., and by appointment

 

Course Description

Adolescent or YA/young adult literature is a broad category, covering a variety of topics, literary genres, and sociohistorical contexts. In this course, we will focus on the concept of "Teen Reads and Social Commentary," acknowledging the manner in which YA texts allude to their times and places of consumption and production, and comment—overtly or implicitly—on actual events and current debates.

As we read a diverse assortment of novels, nonfiction-based texts, critical essays, and news features, we will investigate changing ideals of childhood and adolescence, especially in the United States. Our readings (and limited film screenings) include utopian/dystopian novels, fictive diaries, first-person confessionals, screenplays, and courtroom dramas; we will note how each strategically written or spoken voice indicates particular historical, social, and critical contexts and speaks to ongoing concerns around race, ethnicity, gender, and socioeconomic class. Some of the assigned texts have met with censorship challenges in schools and libraries, so expect to explore and comment on past and contemporary controversies. At the end of the semester, everyone will do a creative and critical final project that involves devising further reading/screening lists and practicing storytelling around a debatable or otherwise compelling issue.

 

Required Texts (alphabetical by author)

Whether you buy books online or at the bookstore, get the following editions so that we can refer to specific page numbers during discussion.

• "Anonymous," ed. Beatrice Sparks, Annie’s Baby (Avon)
• David B., Epileptic (Pantheon)
• Nancy Farmer, The House of the Scorpion (Simon Pulse)
• Pete Hautman, Rash (Simon & Schuster)
• Will Hobbs, Crossing the Wire (HarperCollins)
• Ann Jaramillo, La Línea (Roaring Brook)
• Angela Johnson, The First Part Last (Simon Pulse)
• Harper Lee, To Kill a Mockingbird (HarperPerennial)
• Walter Dean Myers, Monster (Amistad)
• Louise Rennison, Angus, Thongs, and Full-Frontal Snogging (HarperTeen)
• Marjane Satrapi, Persepolis: The Story of a Childhood (Pantheon)
• Alec Sanchez, Rainbow Boys (Simon Pulse)
• Sonia Sones, What My Mother Doesn’t Know (Simon Pulse)
• Jacqueline Woodson, From the Notebooks of Melanin Sun (Scholastic)
• Gene Luen Yang, American-Born Chinese (Roaring Brook)

Additional readings may be found on digital reserve. For connection information, please see http://www.english.ilstu.edu/reserve/ or go to my folder, http://filesrv01.cas.ilstu.edu/reserve/English/

Simply scroll down to my last name under the letter "O," click on it, and locate the file in the folder titled "2007 Spring 375."

Please note that this upper-level course will be reading and writing intensive. Many of the assigned novels and graphic narratives can be read in one or two sittings, and you will read texts and/or articles back-to-back so that we have two pieces for comparison during our meeting period. Come to class prepared to complete the weekly journal and contribute to discussion. Occasionally, I may give quizzes to check progress. The short-answer final exam draws upon the assigned reading material.

 

Course Requirements

Writing and Research

Materials: Everyone should get a small, lightweight three-ring binder to serve as a hand-in folder. Put your name on it, stick some stickers on there, personalize it. I would prefer that you use a flat, paper-cover binder rather than a bulky plastic one, so that I can handle the materials efficiently.

Weekly clip file: Every week, find at least one fresh, compelling, nonfiction article related to our course topic of adolescence and social concerns. Read the piece, think about it, and place it in your folder. If all goes according to plan, these clips will become the foundations for final projects, so look for articles on issues you feel are important in regard to young adulthood, literature/media, and national/global culture.

In-class Journaling: On Mondays, I will hand out a journaling question to which you will respond immediately, in writing, for ten minutes. When you free-write, compose your thoughts into sentences and complete paragraphs. Avoid lists. Fill the page. Be sure to come prepared to write and share ideas.

Second Drafts: Take the journal home with you and transcribe it, revising your handwritten sentences with reflections and opinions generated in class. Locate specific examples in the assigned books, essays, and class discussion. Quote accurately and note page numbers when you use published material. Aim for about two pages, double-spaced; when you get to the next stage of writing, this should serve as a solid foundation! Make sure to back up your copy of this second draft, and print a copy too.

Put the printed second draft and your original journal in the hand-in folder and bring everything to class the following Monday. During the Monday free-write, have the folder on your desk so I can check your past week’s work. I will grade the ongoing work on a pass/fail (i.e., complete/incomplete) basis.

There will be 10 journals and thus 10 second drafts over the semester.

Developed Written Pieces: You will use the spontaneous free-written journals and the more detailed second drafts to generate brief but developed final drafts. You will complete two developed written pieces this semester, as well as a final project.

At least on the first round, I leave it to you to determine which journal and draft you develop into a finished piece. Build your essay with information from texts, essays, and class discussion. If you notice crossover between two or more journals, you can fuse related ideas, but you should focus on a central journal piece. By all means, stop by my office to discuss ongoing work.

These pieces are short and concise, and should be approached with seriousness and attention. I will not accept materials that fail to meet the requirements, and I will dock these incomplete materials by one letter grade if I have to return them to you. The requirements for finished pieces are as follows:

no more than two lines for your name, date, and course information at the top of page one,

a minimum of five complete pages (all the way to the bottom of each),

1.5 or double spacing, but no wider,

1-inch margins on top, bottom, left, and right,

12-point Times New Roman type,

and a thorough bibliography following MLA format.

NB (nota bene): The bibliography is necessary, but it does not count as part of a page.

On the deadline date, you will hand in your folder containing the final draft, handwritten journals, second drafts, and clipped articles about adolescence. I will read and grade the final draft with a letter grade, and double-check all handwritten journals, second drafts, and clip files for completion. The folder should be well-organized and focused on the revision process, showing your progress from point A (journal) to point B (draft) to point C (final piece).

Grading

Class Participation, individually and in groups (15 percent of final grade)

You need to attend class in order to participate. For each missed class, up to three missed classes, you lose 9 percent of your participation grade (i.e., if you miss one meeting but are very active in class otherwise, you still can have an A in participation). However, students who miss four or more class meetings automatically fail the course.

Be advised that late arrivals, early departures, napping, and things like text messaging count against you. Be physically and intellectually present during class time. Don’t disrupt the group unless absolutely necessary (illness = necessary; phone/text, drink/snack, a little stroll = not). If you have an unusual situation, let me know ahead of time, but remember that all your professors prefer that you do not act rude or schedule appointments during your most important class – theirs!

In terms of everyday participation, get involved in the conversations. This helps you practice public speaking and adds to everyone’s learning experience. Comment on texts, state pertinent opinions, and ask questions! Express yourself. Remain conscious of others too. If you are outspoken, listen once in a while. If you tend to be quiet, speak up occasionally.

Pass/fail journals and hand-in folder (15 percent of final grade)

Each Monday, I will look at your folder and give the combination of journal, second draft, and news clipping a pass/fail mark. This is part of your weekly participation. When you hand in your folder with essay assignments, I will mark it with a letter grade:

100/A+ (wow)

95/A (excellent, thorough responses with textual examples, page citations, and specific details)

85/B (good responses, but focus more on textual examples with page citations, add details from the readings, and fill the pages)

75/C (read more carefully, give textual examples, cite pages, explain examples, and write more ideas and opinions on the pages)

65/D, 50/F, or lower if warranted, although I sincerely hope not.

Two developed pieces (20 percent each, for a total of 40 percent)

These pieces receive an exact letter grade: 100-90/A, 89-80/B, 79-70/C, 69-60/D, and 59-lower/F.

Final project based on a combination of news clippings and coursework. A preliminary one-page account of your planned topic and relevant source materials will be due April 9. (17.5 percent)

Final project group presentation in class. As part of a group, you will introduce your project topic and provide a handout. (2.5 percent, so that your final project grade equals 20 percent)

Final exam (10 percent)

We will have a short-answer final exam covering assigned material, so keep up with the readings.

Academic honesty

Given the revision basis of the course and my trust in your commitment to education and literature, I am hopeful that plagiarism will not be an issue. If you copy another person’s work without attribution, passing it off as your own; if you use work in this class that you have done for another course; or if you cheat in some other manner regarding your progress and grade, you will fail this course and I will report the problem. The ISU Student Code of Conduct (http://www.policy.ilstu.edu/archives/student_code_of_conduct.htm) explains these points too. I genuinely hope for your best work, but I have to make my expectations clear.

 

Course Schedule

Jan 22

Course introduction and next week’s assignment

Film and discussion: Real Women Have Curves (directed by Patricia Cardoso, 2002)


Jan 29

Ana Jaramillo, La Línea
and
Will Hobbs, Crossing the Wire

Online: http://www.gao.gov/new.items/d06770.pdf

In class: Journal 1 (Just a recap: You write the journal in class on Monday. On the following Monday, I check your folder for the original journal, the typed draft, and a current news item pertaining to adolescence and social issues. This will be our weekly procedure.)

Film clip: El Norte (directed by Gregory Nava, 1984)

 

Feb 5

Nancy Farmer, The House of the Scorpion

Online: Read research from "On the Border" segment on migrant children and teens, from NOW with Bill Moyers (28 May 2004): http://www.pbs.org/now/politics/migrants.html and read essays by teenage migrant laborers on http://www.pbs.org/now/politics/migrantchildren.html

In class:
Journal 2
Excerpt, if available, from Illegal Immigration: A Dangerous Journey (from Films for the Humanities and Sciences, #BVL36257, 12 min.) or alternate film

 

Feb 12

Pete Hautman, Rash

Article: MALES / Mike Males, "More Dangerous Than Anyone Thought," on teen brains and risky behavior, from Extra! (Sept/Oct 2006): 29-30.

Article: LINN / Susan Linn, "The Marketing Maelstrom" and "Notes from the Underground: Thirty-Six Hours at a Marketing Conference," from Consuming Kids: The Hostile Takeover of Childhood (NY: New Press, 2004): 1-30.

In class: Journal 3

 

Feb 19

David B., Epileptic

Article: COMICS / Charles McGrath, "Not Funnies," from The New York Times Magazine (11 July 2004): 24-33+.

In class:
Essay 1 due



Feb 26

Marjane Satrapi, Persepolis: The Story of a Childhood

Article: DOUGLAS / Allen Douglas and Fedwa Malti-Douglas, "An Arab Girl Draws Trouble" from Girls, Boys, Books, Toys, eds. Beverly Lyon Clark and Margaret R. Higonnet (Baltimore: Johns Hopkins UP, 1999): 210-226.*

*Please note that the subjects of this article are an Egyptian writer and a Syrian artist; Satrapi is Iranian and not of Arab heritage. We are reading this article for its reflections on cartooning, children/teenagers, and the "Middle East" from a U.S. perspective.

In class: Journal 4


Mar 5

Gene Luen Yang, American-Born Chinese

Article: CHINESE IN AMERICA / Iris Chang, "High Tech vs. Low Tech," from The Chinese in America: A Narrative History (NY: Viking, 2003): 348-388.

Article: INTERETHNIC ANTIRACISM / George Lipsitz, " ‘To Tell the Truth and Not Get Trapped’: Why Interethnic Antiracism Matters Now," from Orientations: Mapping Studies in the Asian Diaspora, eds. Kandice Chuh and Karen Shimakawa (Durham: Duke UP, 2001): 296-309.

In class: Journal 5

--------------------------------- March 10 – 18 Spring Break --------------------------------

Mar 19

Harper Lee, To Kill a Mockingbird

In class: Journal 6

Possible excerpts from films (all available locally; most at Milner):

To Kill a Mockingbird (directed by Robert Mulligan, 1962; DVD 0038 at Milner)

In Context: To Kill a Mockingbird (n.d., VHS 1274 at Milner)

To Kill a Mockingbird, Then and Now (1997, VHS 1083 at Milner)

The N Word: Divided We Stand (2004)

Online: see http://www.learner.org/resources/series111.html for video on demand

Handout: Final project planning
 


Mar 26

Walter Dean Myers, Monster

Article: HUBNER / John Hubner, "Discarded Lives: Children Sentenced to Life without Parole," a report on race and sentencing from Amnesty International (Spring 2006): 16-20.

In class: Journal 7

Excerpt, if available, from Juvenile Justice (from Films for the Humanities and Sciences, #JJE34426, 58 min.), or an alternate film

 

Apr 2

Jacqueline Woodson, From the Notebooks of Melanin Sun

In class: Essay 2 due

 

Apr 9

Alex Sanchez, Rainbow Boys (for more information, see www.alexsanchez.com)

Article: SEDARIS / David Sedaris, "Road Trips," from The New Yorker (27 Nov 2006): 108-110.

Article: SEDGWICK / Eve Kosofsky Sedgwick, "How to Bring Your Kids Up Gay," from The Children’s Culture Reader, ed. Henry Jenkins (NY: New York UP, 1998): 231-241.

Online: Sarah Wildman, "Queer Lit for the Gay Teen," on Salon.com (11 Nov 2003): http://dir.salon.com/story/mwt/feature/2003/11/11/queer_lit/index.html

In class: Journal 8

Hand in one page with your final project topic and preliminary bibliography

 

Apr 16

Sonia Sones, What My Mother Doesn’t Know
and
Louise Rennison, Angus, Thongs, and Full Frontal Snogging

Article: LEVINE / Judith Levine, "Peril and Pleasure, Parenting and Childhood" and "Censorship: The Sexual Media and the Ambivalence of Knowing" from Harmful to Minors: The Perils of Protecting Children from Sex (Minneapolis: U Minnesota P, 2002): xix-19.

In class: Journal 9

Organize presentation groups around final project work

 

Apr 23

Anonymous, Annie’s Baby
and
Angela Johnson,
The First Part Last

Article: HEINS / Marjorie Heins, "The Ideology Minefield: Sexuality Education," from Not in Front of the Children: ‘Indecency,’ Censorship, and the Innocence of Youth (NY: Hill & Wang, 2001): 137-156.

Online: Rebecca Onion, "The Re-Education of Lubbock, Texas," http://www.alternet.org/story/21570

In class: Journal 10

Film excerpt from The Education of Shelby Knox (directed by Marion Lipschutz and Rose Rosenblatt, 2005)

 

Apr 30

Final project presentations in class

Hand in final projects and completed folders

 

Monday, May 7

Final exam at 5:30 p.m. in our classroom

 


Please email me with any questions or comments! dbop@ilstu.edu